WEDNESDAY 22 JULY in Building 9A1!!
We'll be watching Pans Labyrinth! Its free for all Spanish club members but we accept donations and would love your support!!
Here's a review if you're interested:
It takes a Mexican director Guillermo del Toro to make a fairy story movie that gets a MA rating. But this is an astonishing piece of work, if you can imagine Mel Gibson doing Alice in Wonderland you're not even half way there.
Few adult fairy stories come our way at the movies, possibly the most memorable is the haunting Jean Cocteau version of Beauty and the Beast, to which this films pays some homage along with passing references to other well loved fairy stories like the Grimm Brothers, Alice and even The Wizard of Oz. There is something of both Alice and Dorothy in Ofelia as she too has to take a journey through frightening places to find her true self. Fairy tales and fables often have their origins in very human fears as this film cleverly illustrates.
Anchored in a brutal time the end of the Spanish Civil War and beginning of the Franco regime, young Ofelia is forced to live with her fascist step father Captain Vidal when her pregnant mother joins him in a remote outpost where he is fanatically hunting down a party of left wing guerrillas. Book loving Ofelia hates her new life living with the cold and strict Captain in an old mill on the edge of a forest, but wanders into a nearby ancient labyrinth chasing a large stick insect that turns out to be a fairy. Like Alice she is lead into an underground world and meets up with a towering playful but imperial Pan, a Faun right out of Lewis Carroll who informs her she is really a princess and to inherit her kingdom she has to carry out three tasks each terrifying in its own way.
Meanwhile in the real world of the Civil War, Captain Vidal soon shows his true form as a sadistic bully in a sequence where he brutally beats two suspects, making the Gestapo look like gentlemen. While Ofelia has her own share problems including creepy crawlies, an horrendous giant toad, and a terrifying monster with eyes in its hands. Her fantasy world and its creatures are superbly realized with Gothic designs influenced by Goya's paintings and illustrations by the British artist Arthur Rackham. But she also has to fight against the evils of the real world still in chaos, her dreaded step father determined that his baby son will survive even if his sick wife doesn't live through the birth.
So the film cleverly contrasts the Victorian fantasy underworld with the shocking violence and cruelty of the fighting in the real world above ground; finally fusing both worlds together in a dramatic conclusion. It is an amazing film to watch, the real horrors are the civil war scenes as opposed to the demoniac creatures down below, the director shows real life can be more horrific than ever imagined in fairy stories. Even Luis Bunuel would be impressed.
Ivana Baquero has a major part as the 11 year old Ofelia and carries off the role with confidence even when liberally covered with mud and bugs. Sinister Captain Vidal sadist and fanatic played with some relish by Sergi Lopez (Dirty Pretty Things) must rank with the screens most evil characters. Good support from Maribel Verdu as the gaunt housekeeper, Ariadna Gil as Carmen Vidal, and Alex Angulo the doctor.
The exceptionally talented Guillermo del Toro has made a powerful allegory which will remain in the memory as one of the most visual films this year. His previous work "The Devil's Backbone" also dealt with the Civil War through the eyes of a child, but here he has gone even further with this dark fable that suggests man is more than capable of horrors far in excess of our most Gothic fantasies. This is a remarkable piece of cinema but be warned it is certainly not suitable for children.
By: John Bale
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